A collection of stuff, things, nonsense, rants, raves, pretties, sillies, and gee-gaws from Rev. Hugo Nebula, Ordained Minister of the Church of the SubGenius.
(And boobs. Sometimes there are boobs. Just like in real life.)
Thank you for reading.
The battle for the mind of North America will be fought in the video arena: the Videodrome. The television screen is the retina of the mind’s eye. Therefore, the television screen is part of the physical structure of the brain. Therefore, whatever appears on the television screen emerges as raw experience for those who watch it. Therefore, television is reality, and reality is less than television.
"WE’RE PLEASED TO ANNOUNCE POD (PERSONAL ON-DEMAND), THE FIRST RELEASE IN OUR BODY MIND CHANGE™ SERIES. THIS NEXT GENERATION RECOMMENDATION ENGINE KNOWS WHAT YOU WANT BEFORE YOU DO. FORGED FROM AN INNOVATIVE PARTNERSHIP WITH CREATIVE VISIONARY DAVID CRONENBERG, BMC LABS HAS SECURED AN EXCLUSIVE LICENSE TO ALL THE BIOLOGY AND TECHNOLOGY IP FOUND WITHIN CRONENBERG’S FILMS. IN THE PROCESS, BMC IS TURNING SCIENCE FICTION INTO SCIENCE FACT.
"POD REINVENTS THE RECOMMENDATION ENGINE TO MAKE DISCOVERING THE THINGS YOU NEED, LOVE OR DESIRE EFFORTLESS. THIS STATE OF THE ART BIOTECH IMPLANT WILL GUARANTEE YOU PERSONALIZED RECOMMENDATIONS THAT ARE 99.999% RELEVANT ALL THE TIME. POD GROWS WITH YOU TO BECOME AN INTUITIVE COMPANION, ENHANCING YOUR LIFE AND STORING THE BEST THAT THE WORLD HAS TO OFFER FOR IMMEDIATE RECALL AT ANY TIME. AFTER A LIGHT TRAINING PERIOD, POD WILL BE ABLE TO PREDICT YOUR DEEPEST UNFULFILLED DESIRES – EVEN THE ONES YOU DIDN’T KNOW YOU HAD."
"Body/Mind/Change (BMC), a digital extension of TIFF’s exhibition David Cronenberg: Evolution, immerses audiences in a "Cronenbergian" world inspired by the film Videodrome, re-imagined for the 21st century and brought to life across three platforms— online, mobile, and real-world. Co-produced by the Canadian Film Centre’s Media Lab (CFC Media Lab) with creative direction by Lance Weiler, Body/Mind/Change features plot lines and game mechanics involving biotechnology start-ups, body enhancements, emotional learning systems, and presents the plausible science fiction found in Cronenberg’s work as scientific fact…"
BODY/MIND/CHANGE: David Cronenberg leads us into the future of human bio implants with BMC Labs. (by BodyMindChange)
Several years ago I attended a midnight screening of one of my favorite horror movies, David Cronenberg’s “The Brood”, a film I’ve always regarded as deeply affecting and scary. I don’t know exactly how I was expecting a rowdy group of twentysomethings to react to a relatively low-budget Canadian horror film from the late 1970s at midnight on a Saturday night—the kind of reverence and awe with which I’d long treated the film were probably too much to expect even in more somber circumstances—but I do know that the reaction the film provoked that night took me by surprise. The reaction was laughter. Within seconds of the film beginning, it became obvious that people had come to laugh at what they assumed going in was to be nothing more than a cheesy, stupid old horror movie, some hammy B-picture with stylized acting and dated effects. The constant ridicule which followed seemed only to confirm the assumption: “The Brood” was a film better watched ironically than in earnest.
It’s easy to laugh at something when you’ve decided in advance that it’s going to be funny. It’s even easier when a room full of people are laughing along with you. I’ve seen a person laugh at a new release horror film so loudly that you could almost feel the tension and dread in the room dissipating, as if the disruption had set a precedent for all who heard it that what followed was funny rather than scary, causing laughter to spread through the crowd. I’ve seen crowds whoop and holler through “Eraserhead” as if it were “The Rocky Horror Picture Show”. I’ve seen boorish teenagers yell out insults at Shelley Duvall throughout Halloween screenings of “The Shining”. I’ve even seen a classroom full of Film Studies undergraduates laugh through George Romero’s original “Night of the Living Dead”, practically bursting into applause when Duane Jones slaps Judith O’Dea across the face. There is no limit to how a room full of people will react while sitting through a movie they have decided not to take seriously.
David Cronenberg had already made a name for himself by the late 70s, thanks to the cult success of his first pair of low-budget features, Shivers and Rabid. But a divorce and subsequent custody battle left Cronenberg determined to get his emotions down on paper - and the resulting screenplay was the most powerful and autobiographical writing he’d yet produced.
“The Brood got to the real nightmare, horrific, unbelievable inner life of the situation,” he said in an interview for the book Cronenberg On Cronenberg. ”I’m not being facetious when I say I think it’s more realistic, even more naturalistic, than [Kramer Vs Kramer]. I felt that bad. It was that horrible, that damaging. That’s why it had to be made then; it wanted to be made full blast…”
I think of horror films as art, as films of confrontation. Films that make you confront aspects of your own life that are difficult to face. Just because you’re making a horror film doesn’t mean you can’t make an artful film.
I was never much of a fan of the original Total Recall, mostly because I was at one point expecting David Cronenberg to adapt Philip K Dick’s short story We Can Remember It For You Wholesale, so I was fairly disappointed in the, shall we say, possibly more low-brow version Verhoeven and Schwarzenegger spewed out.
This, however, looks promising. A distinct Minority Report look and feel to it, and you never know, they may even include some of Dick’s original story in there.
"Mondo’ssecret new gallery opened Saturday with a sci-fi themed show that left jaws on the floor and wallets extremely empty. Tyler Stout did his first Mondo poster since October, Star Trek II: The Wrath of Kahn, Kevin Tong did Forbidden Planet, Martin Ansin kicked off a new Terry Gilliam Director’s Series with Brazil, Jay Shaw did David Cronenberg right with The Fly and Crimes of the Future, Phantom City Creative went all George Melies with A Trip to the Moon and much, much more: Akira, Dune, War of the Worlds, Planet of the Apes, The Fountain, Real Steel, it goes on and on, 38 in total. Check out those image and more…”